Welcome


Welcome to Renate's Baton. This blog is mostly for and about my choir, The York Region Community Choir.

But, While I'm holding the baton, I'm in charge. So, if I want to talk about other parts of my life, I will. :)

The choir itself is a community and I'm discovering that we have a lot in common with one another besides our love of music and singing.

When I go off on a tangent, there is always a crowd coming along. Join us!

Thursday, April 16, 2026

Piano Recital at Trinity Newmarket Sunday, April 19th, 2026

Sunday, April 19th, 2026 at 3:00pm in the Sanctuary of Trinity United Church, Newmarket. Child prodigy Angel Heung, our music director's daughter will delight us with her extraordinary piano virtuosity. And, this time, she's got a guest from Boston, another young pianist, also a winner of several international piano competitions.

Here's the poster for next week's fundraising concert. It's not easy to read in this format. 

Tickets are $25 (kids under 12 free). All proceeds will go to Trinity.

Tickets can be found online at Eventbrite (enter Trinity in the search bar, and you'll find it) but you can also pay at the door. 

You will be amazed at the talent, the skills, the stunning virtuosity of these young pianists!  

There will be special moments when 8 hands will play on our piano together. (I'm curious to see who the other two people will be. Maybe Kevin and Joanna?)

There will be a reception following the concert, and I'm baking something (apple Streuselkuchen squares, probably). Please come! 


 

Wednesday, April 15, 2026

YRCC 2026 Rehearsal Review April 14th

I'm feeling great after our gold-star rehearsal performances last night! It was also wonderful for me to sit with the small group and sing their song and enjoy harmonizing. What a special thing it is to sing together! We're so lucky we get to do this every week!

The small group that met at 6:30 was singing their second song, Colors, when I arrived, and I didn't have to think twice before accepting their offer to join them. It's a special song, and it felt wonderful harmonizing with some of my favourite choristers and with Donna's asoundingly beautiful ad-lib accompaniment. 

Our warm-ups included singing "meow" (miao?) like a cat and talking about why that's useful. I had forgotten, but it's really just a nasal tone exercise that releases vocal tension, and the silliness of it releases performance tension. And, then we had to compare it to dog sounds like "woof" which Lauren taught us is also used to manage airflow. I've found a bunch of different dog sound exercises today, and other animals sounds too. So, I think we might want to have some fun with more animal sounds in the future. I have to apologize for going off track on the dogs vs cats tangent. I had just read a strange post about feral cats, and it was so irreverent; sorry. We did a few different physical exercises too, and that came from my reading about maintaining stability and balance as we age. I'm going to be using more of that going forward, as we can all benefit from better stability and balance not just for performing but also in our everyday lives. 

1. It's a Grand Night for Singing: It was truly grand. We had a good laugh after we finally mastered the ending. Singing what is written always sounds good.  I don't know what we were doing before, but this time, we just went over what is written in the second ending on page 5 and it was excellent. We needed some work on that last bar where everyone except the Basses moves up, and First Sopranos go way up: a big ending!

2. Why We Sing: The four soloists/quartet at the beginning makes it build with much more drama. We figured out who sings what there, and we'll give it another go next week. This is the opener this time, our first song. We've traditionally used it as a finale and sometimes as an encore, but this new arrangement with the first verse and chorus by a small group works well as an opener. It's a good introduction to our theme too. 

3. Canon of Joy: This song will follow Why We Sing in the program, and the emphasis is on everlasting JOY and the message on page 7: Though our hearts be tried and troubled, still our song none can destroy. "All our days" and "everlasting" are positive and wonderful, not boring. Remember that it's your job to make sure it doesn't sound boring, each time you sing joy, bounce on the dj sound and release the oy with grace and beauty. Watch me for dynamics, sing page 5 softer, then louder both times. 

4. We Rise Again: Awesome! Now that we're so good, we can think about looking up from our music as we sing the second and third chorus. You're all singing the same thing every time, except the First Sopranos. You shouldn't need to look at your music. We were reminded that we're supposed to hold our binders up so we can read the music and easily look up at the conductor and/or the audience, high enough so you don't have to look down, and angled so that your face is not covered. This will also help with your posture as you sing. Your head should be held high and facing forward, back straight, shoulders back. Looking down, neck bent, shoulders in, is not going to sound good or look good, and it will hurt in the long term. 

5. Hymn to Freedom: This comes before We Rise Again in the program, but both songs have good, big endings. I'm not sure about my order anymore. I've been having second thoughts (and thirds). 

6. One Voice: This is our finale, but, although it's excellent and builds to a beautiful big ending, it's too short to inspire a standing ovation. 

7: Thank You For the Music: This song is second-last. It's awesome, but doesn't have a big ending, and it's a little bit too self-centred. Someone suggested Hymn to Freedom might do the trick?

8. Here's to Song: This is going to be stuck in my head all week again. I love this, and it will be the first song in our last set.  It's not a finale song, is it? Back to the drawing board. 

We talked about: 

Scarves: many people forgot to bring in their scarves. We need to do a big assessment and cut some in half. There are a number of double-sized scarves out there, so they won't be too small when cut in half. We originally cut them in half, but then mistakenly sent some out too large. Bring in your scarf next week. 

Tickets: Buy any additional friends and family tickets next week. Online tickets are $25 and they'll be $25 at the door as well. The new website is up, and tickets are available there: yrcc.ca. We have a little more work to do to integrate the members-only content from the old site and to redirect from that web address. But, it's looking good!

Concert Order: Jane's been working on the program, and I've entered the concert order on the website. But, now I'm going to be thinking about possibly changing it. As always, the run-through rehearsal is our chance to hear how it flows and to see how it looks (people moving, microphoness) before the program is set, so we can make last-minute changes. I have to give you an order next week so that you put your binders in concert order for the 28th run-through rehearsal. Next week is our last chance to go over parts, and on the 28th, we won't sing through every song, so think about what you might want to review next week before we move on to performance-readiness. 

Seniors Visits: Jane is working on booking our Spring Seniors Tour. It will start on Tuesday, May 12th. As soon as we get some bookings, I'll enter them on our calendar (s). We have a calendar on the website now, so I'll figure out how best to use that. And, I'll set up Events for you to sing up in on the old site. This allows us to manage how many of each part we get at our seniors performances, since some places are small and some choir members can't make all of them. 

Next week: Tuesday, April 21st We're in our usual room at the Admin. Ctr. 

Bring your scarves! 

Small groups: 

6:30 Canada's Song (Free to Be), 6:50 Colors, 7:10 My Life Flows On (How Can I Keep From Singing).  

  • Canadian Sing-alongs
  • Here's to Song
  • Grand Night for Singing
  • Why We Sing
  • I'd Like to Teach the World
  • Circle Game? 
  • Anything you want to go over 
 
 Looking ahead: Tuesday, April 28th We're at Trinity Anglican in Aurora in the sanctuary, where we will be performing on May 3rd. This is a run-through of the concert, like a dress rehearsal. We will practise walking and standing and sitting and singing with microphones. If you cannot be at this rehearsal, you must tell someone in your section so that they can guide you on concert day. 

Binders will be in concert order, so there's not searching for music between songs. 

Small Groups and Soloists: be prepared to start as early as 6:00!

Eveyone be there early 7:00 and be prepared to end later than usual!

All instruments will be there.

All props (geese, chairs, campfires) to see how they work. 

Wear comfortable clothes and shoes so you can move around.  Maybe bring a snack? 

 


 

 

 

 

 

 

 

 

 

 

 

 

Wednesday, April 8, 2026

YRCC 2026 Rehearsal Review April 7th

I'm getting excited! The posters are on their way into the world, and we are selling tickets on our new website!!! We are still able to use the old one, and the members-only stuff will still be there, but our new website will hopefully make it easier for you to find what you want and need, and we'll be able to pay dues online too. All this while showing a very polished face to the public. Information about the choir and our concerts, and a way to purchase tickets easily will be presented in a modern and approachable style. For me, one of the best things about this new site is our new web address: yrcc.ca

It will take a little while for us to get used to this new website, but we hope the transition will be smooth. By the next season, we will all be comfortable and happy with the new system.

This week's small groups were excellent again. My Life Flows On and My Heart Will Go On.  My Life Flows On is How Can I Keep From Singing. We're using the church hymn music and the folk/pop lyrics. The first verse is Sopranos-only, just the melody. Then, the second verse is in 4-part harmony, like a hymn. The third verse is in harmony and a cappella, even more like a hymn. Here's an accompaniment video, so you can listen to the melody (and harmonies), but the lyrics are different. Here's a recording of Pete Seeger's version, where you'll hear our lyrics. I've got a bunch more videos on my choir playlist for this season of this song and all of our songs this season. Do head over to my YouTube playlist for inspiration. 

We had a short physical warm-up and then did a fun scale canon, singing scales in rounds, a test of staying in your lane, with your section, and not getting pulled into the other parts. Fun!

1. Song for Canada: It works well to have the French verse singers in among the Ah singers. But, we'll need to have them in pairs or clumps to give them confidence to sing out louder, to help them stay on track and not confuse the ah-folks. This verse should be quieter than the others, especially important for those singing ah. The ending is getting better. Altos, please give me some more volume on the ahs at the end, the notes are not as important as the movement especially at beat one of those 4 last bars and also the beat 3 of the penultimate bar should have some power. Sopranos, are you maybe looking at the wrong line at the end? I also need more of your movement. You should be looking at the middle of the system, in the top line of the choir bracket, and you divide. I should be hearing 10 notes from the Sopranos, two sets of 5. Please take a look to make sure you're clear on that last page, and sing out for me.

2.  One Voice: The trio at the beginning is coming along beautifully. It's hard, but your voices blend so well. If you don't get it perfect, it will be okay. We all have to remember not to come in too loud right after them, confidently, but not will volume. I do need the Sopranos to be louder than the have been, to bring out the melody and words there. Everyone else on the one-one-voice part must try to be softer. Pay attention to dynamics on this song. It's quite dramatic and it's our finale. This is our message: one voice can make a difference and will encourage others to join, and when everyone sings, we have harmony. Our final notes will be on the word Sing! Sing, very loud!

3. Thank You For the Music:  Erase the old notes, and write in the new ones, please. Some Altos were still unsure whether to sing with the sopranos or tenors at the beginning. This year, we have good strong voices in the bass clef, so the alto part is as-written. Sing with the sopranos. Circle the note that says SOPRANO & ALTO (unis). I also want movement at the end in the ahs, like for Song for Canada, and it depends largely on the Altos. Please give me some alto notes there on the first and third beat of every bar to the end on the word "me". 

4. Here's to Song: I loved how that first solo sounds in Colby's bass voice! We don't hear a bass solo often enough. I think people will be impressed and grateful. I love this song, and it gets stuck in my head for hours and sometimes days after our rehearsals. This arrangement is very dramatic too. Lots of ups and downs in volume. Please pay attention to the notation on the music and also to me. I'm giving you lots of direction on volume. Make a note on page 10 that the Kings have riches is soft. It's been loud up to this point, and the last one is loud, but this one is dramatically quiet. Circle that phrase and the little p. Also on the last page, bar 102, you suddenly go quiet after the last very loud Kings, like you have a quiet confidence that our riches, friends and song, are humble, down-to-earth treasures, much more important than owning land and hoarding money. We don't have to be loud about our good fortune. 

5. I'd Like to Teach the World to Sing: The new ending is excellent! Remember to remove that last soprano line: Standing hand in hand. We end that section on Peace throughout the land. Sopranos stop after holding that one bar, and Altos hold until the Tenors and Basses have finished their last word sing. I love how everyone is now holding their notes, but don't raise the volume on any of those long holds; they should slightly decrescendo each time, and serve as a background to the other part's words, right? 

6. Hallelujah: I love the new first verse and chorus! I know that it means that most of you get ripped off, not being able to sing the whole song, but it's really very effective. The first verse and the first chorus, which should be soft, are sung by a small group (tenors, basses, 3 sopranos, 2 altos). It's much more dramatic, and the power of the loud last verse, and the loud and very satisfying last chorus, is so much more special this way. We are always learning and always improving, even on songs we've been singing for decades. 

We talked about: Posters and Tickets and Canada Geese! They're beautiful and you're going to share them everywhere you can. Remember to let your friends and family know that they can save $5 per ticket if they order them from you and you buy them in advance. You have two more weeks to get those tickets in advance and then after that everyone will pay full price. If they want to buy their tickets online, they can, and if that's easier, then they might not mind paying a bit more. We hope that this deal will bring us more people in the seats. A big audience feels so good, and we will sing better, guaranteed. Canada Geese: I had a midnight inspiration. A little bit of decoration for the back wall, a back-drop scene, a mise en scène, inspired by our poster. A camp chair, red with our flag, a beer can (empty) in the cup holder, and the ukulele resting there, and a few Canada goose decoys lying around, or on a table? If someone has a little pretend campire, that would be so cool, but maybe we can just make a little pile of campfire wood? It should be sweet and easy. 

Next week, Tuesday, April 14th  We're back in our room

Small groups at 6:30 will be the two songs from the quartet with the guitar. Colors and Canada Song. If Alan can stay a bit, we'll try some sing-alongs, Song Sung Blue and maybe the Circle Game to see if we can fit him in there too. 

  • Song Sung Blue (sing-along)
  • Hymn to Freedom
  • Grand Night for Singing
  • Why We Sing
  • Canon of Joy
  • We Rise Again  

 


 

 

 

 

Tuesday, April 7, 2026

YRCC Spring 2026 Concert Poster

 Choir  members: please click on that poster and copy and paste it onto all of your emails and texts and anywhere you post photos (Facebook, Instagram,...). 

Let's make sure lots of people come to hear our wonderful songs about Canada and songs that celebrate singing songs together. How cute is that picture?!!

Remember to let your friends and family know that they can buy tickets from you for $5 off each ticket. In advance and from choir members only, tickets are $20. Through the website and at the door, they cost $25. 


Wednesday, April 1, 2026

YRCC 2026 Rehearsal Review March 31st

We must keep on singing. It's necessary for us; we choristers need song. We thrive when we can meet once a week, gathering to sing together and to remember in our bodies and souls that we are alive in a beautiful world and can survive passing storms. We make harmony when we sing our songs together. Harmony is created when people sing together. How can we keep from singing? And, like the band on the Titanic, we feel a responsibility, a mission, an honour, to sing for others. I've written a post on the song How Can I Keep From Singing/My Life Flows On and I encourage you to read it. It's also not too late to join that small group. 

Big heartfelt thanks to Tabatha who came to play piano for us! We missed Donna, but were in very good hands, and loved to catch up with our former (hopefully returning some day) Alto friend too. Thank you to the good folks who helped set up and take down at Trinity! Thank you to those of you who braved the thunderstorm and got soaked! I was lucky to arrive before the storm and leave after, but many of you had to deal with very heavy rain and powerful thunder and lightning. Mother nature reminds us that Spring is not just sunshine, baby bunnies, and flowers. 

6:30 My Life Flows On (How Can I Keep From Singing) had the full pre-choir time to learn the 4-part choir version, with the slightly fancy ending that I added (of course). 

1. I'd Like to Teach the World to Sing: A word on this title. Something I dislike strongly is the idea that we need to be taught how to sing, as if we don't all sing before we can talk! We sing already. Of course we can learn to sing different styles of music, and specific songs, but we must stop telling people that they can't sing, or don't' sing well. Give us songs to sing together all the time. Let us join our voices in song. I would like to teach the world that we should sing together more and with kindess, inclusivity. We determined the new ending: We divide into SA  TB at bar 89. Tenors join the Basses repeating "I'd like to teach the world to sing". Sopranos start with "peace throughout the land" and then Altos echo that in bar 90 (write that in), then "standing hand in hand" same, then "peace throughout the land" again. And stop. Altos hold their last one with the Tenors and Basses, so an extra bar. It's a little messy, but effective. 

2.  Hymn to Freedom: It's very very good! We worked with dynamics, when to be soft and when to be loud. We're following the dynamics as marked. On the last page, there is a slow-down a "rit." at bar 64 with a fermata (love those!). So, "har-mo-nyyyyy" cut! and then the piano plays a little ba-ba-bap! We come in very strong right after that. ba-ba-bap That's when. At 66, we're suddenly (sub.) quiet, but we need a big crescendo towards the end, so mpwe'll mf be  f free, f we'll  f Beee ff FREEEEEE!

3. Grand Night For Singing: We worked on getting from the Interlude to the chorus again. Last page, second last bar, You moves on the first beat of the last bar in the alto part and the bass part. Write in a fermata on that beat one. I want that held a little longer, and we'll cut // there. Donna will give us a little run, or something to bring us into "It's a grand night". Tab was a wonderful help on getting that worked out. It worked perfectly. 

4. Song for Canada: Excellent. I'm thinking of keeping the French verse singers in their usual positions among the ah singers, so nobody has to move, except Robyn who will move to a microphone with her flute at the end of the French verse. We tried that, but it was difficult to determine if it worked since there were a number of people missing. We'll try it again. 

5. Thank You For the Music: Excellent! We had no problem getting from the third verse solo to the chorus. Our fix worked wonderfully. 

We talked about: 

Tickets! We have tickets ready to buy at the discounted rate of $20 for choristers, for friends and family. Buy in advance for your folks, and you/they save $5 on each ticket. Tickets at the door and online will be $25. You can pay by credit card/tap using Square. Or, you can write a cheque to York Region Community Choir. Or, you can pay cash. We hope to get lots of tickets sold in advance this way, so talk to your friends and family and book them in. We're cooking up a deal for seniors homes too. 

Next week: Tuesday, April 7th  We're in Aurora, at Trinity Anglican Church (79 Victoria St.)

We're back in the basement (Binion's Hall) where we rehearsed after COVID, while our room was still closed. It's the church where we perform our concerts, just downstairs. There is an elevator by the Victoria St. doors. We usually enter from the other side, by the parking lot off of Metcalfe St. 

Small Groups: 
6:30 My Life Flows On (How Can I Keep from Singing)
7:00 My Heart Goes On (Titanic theme)
  • Here's To Song
  • One Voice
  • Thank You For the Music
  • I'd Like to Teach the World to Sing
  • Song for Canada
  • O Canada
A peek at our concert poster- so cute!




YRCC Small Group, Spring 2026 My Life Flows On: How Can I Keep From Singing

I posted the following in the Event description for this small group, but I thought I would share it with everyone. A number of people walked in as the small group was practising, so I felt compelled to explain what they were hearing. It's a hymn, from the United Church red hymn book, Voices United. Number 716 is listed as My Life Flows On because the main index for finding hymns lists them with the first line, and most Hymns are named that way anyway. How Can I Keep From Singing is the proper title, and that was used by Pete Seeger and then by Enya in popular and folk singing. Needing song, the necessity of singing is a big part of our theme, but when I saw the hymn was called My Life Flows On, I wanted to use that for our program, because it's in a set with My Heart Goes On, and that's such a wonderful synchronicity. 

How Can I Keep From Singing/ My Life Flows On

Please watch this Enya video. Enya's version is the only one I knew. "The video features Enya singing in a church in the Gaoth Dobhair countryside while also including archive footage of political figures such as Nelson Mandela and Boris Yeltsin, among others, and references to the Gulf War and famine. The line about tyrants trembling shows Gennady Yanayev, leader of the 1991 August Coup, in a press conference with visibly trembling hands—apparently toward the end when the coup was unraveling." (from Wikipedia)

How apropos of our times, and our theme! (And, it has meaning and synchronicity beyond this, because it means something personal to some individuals in the choir as well. ) 

Here's Pete Seeger's version

Here are our lyrics, which are only slightly different from the United Church Hymn 716, and slightly different from Enya's and slightly different from Pete Seeger's versions. This song is in the public domain. 

My life flows on in endless song
Above earth's lamentations,
I hear the real, though far-off hymn
That hails a new creation.

Through all the tumult and the strife
I hear it's music ringing,
It sounds an echo in my soul.
How can I keep from singing?

While though the tempest loudly roars,
I hear the truth, it liveth.
And though the darkness 'round me close,
Songs in the night it giveth.

No storm can shake my inmost calm,
While to that rock I'm clinging.
Since love is lord of heaven and earth
How can I keep from singing?

When tyrants tremble in their fear
And hear their death knell ringing,
When friends rejoice both far and near
How can I keep from singing?

In prison cell and dungeon vile
Our thoughts to them are winging,
When friends by shame are undefiled
How can I keep from singing?

No storm can shake my inmost calm,
While to that rock I'm clinging.
Since love is lord of heaven and earth
How can I keep from singing?